JUL 06, 2022
INTO Articles By Juan Barquin
Juan Barquin is a writer from Miami who programs the queer film series Flaming Classics and serves as co-editor of Dim the House Lights. They aspire to be Bridget Jones.
Out of the Celluloid Closet
Crimes of the Future
is a Bleak, Beautiful Trans Masterpiece
BY Juan Barquin
Out of the Celluloid Closet
Andrew Ahn on
Fire Island
‘s Wild Journey From Quibi to the Big Screen
BY Juan Barquin
Women Be Running
Anaïs in Love
is a Spellbinding Queer Romance
BY Juan Barquin
Out of the Celluloid Closet
Everything Everywhere All at Once
is a Queer Mother/Daughter Love Story
BY Juan Barquin
Out of the Celluloid Closet
Theda Hammel on Her Queer Sundance Masterpiece
My Trip to Spain
BY Juan Barquin
Out of the Celluloid Closet
Framing Agnes
Can’t Get Out of Its Own Way
BY Juan Barquin
Trans Talk
Trans Talk: Is Don Draper an Honorary Trans Man?
BY Juan Barquin
Drag the World
How “Everybody’s Talking About Jamie” Came to the Big Screen
BY Juan Barquin
Trans Talk
Trans Talk: What Is It About Wrestling?
BY Juan Barquin
Screw Tolerance
“Joe Bell” and The Unbearability of Straight Benevolence
BY Juan Barquin
Road Trip
“Zola” is an Epic of Queer Desire and Disappointment
BY Juan Barquin
The Theater
How “This American Wife” Rejects Realism And Embraces Reality
BY Juan Barquin
Culture
10 Underrated Queer Things To Watch From 2018
BY Juan Barquin
Culture
‘Boy Erased’ Is Missing The Much-Needed Queer Gaze
BY Juan Barquin
The Fall Issue
Flaming Classics Brings Miami’s Legendary Lost Queer History to Life
BY Juan Barquin
Culture
Freddie Mercury and the Erasure of Queerness in ‘Bohemian Rhapsody’
BY Juan Barquin
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