A New Book Featuring David Wojnarowicz's Letters to a French Lover Promises to Be Sexy - INTO
Reading Room

A New Book Featuring David Wojnarowicz’s Letters to a French Lover Promises to Be Sexy

NEW YORK, NY - DECEMBER 19: People including artists and free speech activists converge to support the work of the late multi-media artist David Wojnarowicz (pictured) in front of the Metropolitan Museum of Art on December 19, 2010 in New York City. Wojnarowicz`s four-minute video was part of the National Portrait Gallery's 'Hide/Seek' show until it was pulled after the Catholic League and members of Congress complained that the piece was sacrilegious due to a sequence showing ants crawling on a statue of Christ. The banning of the video, which led to its viewing at the New Museum in New York, has outraged artists and political activists who call the action censorship. (Photo by Spencer Platt/Getty Images)

When you think about art made during the early years of the AIDS epidemic, David Wojnarowicz’s work—along with that of Félix González-Torres, Keith Haring, and Darrel Ellis—springs to mind. The activist, artist and writer lived only the age of 37 before dying from complications due to HIV. In that short amount of time, he accomplished plenty, including short films, performance art pieces, his unflinchingly honest autobiography “Close to the Knives: A Memoir of Disintegration.”

He also did a whole lot of f*cking, and made a lot of art about it. 

The small press Primary Info has gotten ahold of the correspondence between Wojnarowicz and his French lover Jean Pierre Delage, which spanned from 1979 to 1982.

This isn’t the first time the letters have been revealed to the public: this April, the correspondence formed the centerpiece of an exhibition at New York’s PPOW Gallery.

But in early 2023, they’ll be available in book form.

“I went to Paris and scanned all of [the letters] in 2008,” Wojnarowicz biographer Cynthia Carr told AnOther ahead of the gallery show. “They were so valuable in terms of writing the book (2012’s “Fire in the Belly”) because that’s where he was talking about how he was making a living, where he was living, and what the new work was. He talked about the Arthur Rimbaud in New York pieces, and how he wanted to make a film called Heroin. I found all these Rimbaud pictures that David had sent him, and they were printed small because David couldn’t afford the paper. I remember saying to Jean Pierre, ‘Do you know how valuable these are now in the art world?’ He said, ‘I don’t care. I’m not selling anything ever.’”

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

A post shared by Primary Information (@primaryinfo)


Henry Giardina (he/they) is the editor of INTO. He lives in Los Angeles. Past publications include the New York Times, The Believer, The New Yorker, The Paris Review Daily, The Atlantic, Film Comment, and Gizmodo. He is @punkgroucho on Twitter.